In my portrayal of Jørn Utzon's Jeita Grotto Theatre, I've chosen an aesthetic that is very minimal in terms of content but desaturated in its color range. I didn't wanna give any reason to look at anything else than what Utzon wanted to make and to give it a sort of "corresponding" aesthetic to his drawings. Like with the Silkeborg Museum Fatamorgana project, I prefer something that draws focus to the form, without necessarily building additional narrative upon it.
The above six drawings are sourced from The Utzon Archives